Robin Hood Gardens’ demolition follows in the wake of the Grenfell Tower fire, which was responsible for the largest loss of life in the U.K. since World War II. Robin Hood Gardens is a residential estate in Poplar, London, designed in the late 1960s by architects Alison and Peter Smithson and completed in 1972. What the V&A has done in an unprecedented step to save an original piece of classical architecture by the Smithsons . The Smithson pair regarded their Robin Hood Gardens design as “a demonstration of a more enjoyable way of living … a model, an exemplar, of a new mode of urban organisation”. All of this adds to the appeal of the area, it means investors can come in and replace what was affordable housing for many and replace it with luxury apartments for the few; and this is already happening. The specially commissioned installation by artist Do Ho Suh presented a panoramic portrait of the … V&A Museum to Save Large Section of Robin Hood Gardens from Demolition November 09, 2017 London’s V&A Museum has announced that they will be acquiring a section of … One half, the west of the Wirral, has affluent picture-postcard towns like Caldy, Hoylake and West Kirby where multi-million pound detached houses and mansions are owned and lived in by premier league footballers and entrepreneurs. Just the word ‘estate’ has so many negative connotations; the mere thought of the word conjures up a strong image in the mind of anyone whether you have been in or around one before and even if not, you can always imagine. As a contrast and the topic of this write-up, during the summer of 2017 the DeFlat Kleiburg renovation project in the Bijlmer neighbourhood in South-East Amsterdam by NL Architects received a lot of press attention from design blogs and newspapers for its receiving of the Mies van der Rohe Award (The European Union Prize for Contemporary Architecture). The dotted line indicates the three-story section of Robin Hood Gardens, designed by British architects Peter and Allison Smithson, that The Victoria & Albert Museum intends to save. Out of the ruins of Robin Hood Gardens, we want to look again at the Smithson's original ideals and ask how they can inform and inspire current thinking about social housing. Whereas the half, the east-side, has towns like Wallasey, Bidston and Liscard; places with large council estates, high-rise towers and rows upon rows of small, tightly packed terraced houses where many people live in close proximity. Comment. Estates like Meridian Walk grow tight communities and through this, give people a chance to escape. It … London's highly respected museum V&A has announced that they have acquired a three-storey section from Alison and Peter Smithson's internationally recognised brutalist housing development Robin Hood Gardens, which is currently being demolished in Poplar, east London.. Lehmann Maupin, New York, Hong Kong and Seoul, Explore the range of exclusive gifts, jewellery, prints and more. East London council estate designed by Alison and Peter Smithson is … However, when reflecting on these photographs and creating work using them I became engrossed in their history and their cultural and social relevance and the general history of social housing. Actually living in the estate and buildings is probably not that nice of an experience and people like myself can simply look from the outside and admire it from an architectural perspective without having to actually live there. The estate also sits in a perfect location for potential and would-be investors and developers; it is right by the financial area of Canary Wharf with its huge 21st century glass skyscrapers occupied by huge corporations and banks. What will replace Robin Hood Gardens is, architecturally speaking, no new proposition, but rather a compromise consisting of mid-rise blocks and towers serving a mixed-income community in which some will be more equal than others. It’s been said that no other work of British social housing has divided opinion to such a great extent. The estate comprises two concrete slab blocks set on either side of a garden … Speaking into a BBC camera in 1970, British architect Peter Smithson seemed to anticipate criticisms of Robin Hood Gardens, the sprawling East London public … They are celebrated and hailed as incredible pieces of architecture despite effectively doing the same thing – providing housing on a mass scale (I do agree that they are great pieces of architecture, they are incredible to admire, it’s just how they are perceived regarding their purpose not their aesthetic). Robin Hood Gardens was the culmination of 20 years of research into social housing by Alison Smithson (1928 – 1993) and Peter Smithson (1923 – 2003). It will be exciting to see how, what and where they present this piece as it is a large acquisition both in terms of importance and physical scale. There is now a national conversation on social housing and social cleansing in London. Less than 50 years later, the building was being demolished, having controversially been denied protection by listing, and is set to be replaced by a £300m redevelopment of affordable and private housing. For them it is important to save this as they see it for what it is: a defining example of Brutalist architecture and social housing in the UK and internationally. Gerade auf dem Tisch. Robin Hood Gardens: Taking From The Poor To Give To The Rich A close look at how the council is treating this brutalist icon. The Robin Hood Gardens estate was designed in the late 1960’s by Alison and Peter Smithson and completed in 1972 at a cost of £1.8m. An image of money-hungry-investors. The Robin Hood Gardens project isn't the first instance of the V&A salvaging historic architecture slated for demolition. during the venice biennale, the V&A explores the robin hood gardens, the 1972 brutalist housing estate by alison and peter smithson. It was their first and only opportunity to create a council and mass-housing estate, the culmination of their research on and vision for social housing. Find the perfect robin hood gardens estate stock photo. Jetzt spenden . Aber sie sind auch ein einzigartiges Beispiel für die Architektur ihrer Zeit und ein wichtiger Bestandteil der Stadt. All of the tenants in the west-wing have been ‘decanted’ (politically correct word for evicted or removed but not with force) and some from the east-wing although it seems many are happy to leave and see the place torn down. When I was in London over Christmas time I was able to witness for myself the destruction of the estate; the destruction of the west wing, the destruction of homes and the destruction of a piece of British architectural history. We’ll be part of the ‘do you remember when they knocked down Robin Hood Gardens’ generation. London’s iconic and hotly debated Brutalist residential complex, Robin Hood Gardens, is currently being demolished, but not all will be lost. A ‘sink estate’ by definition is: “a British council housing estate characterised by high levels of economic and social deprivation. Robin Hood Gardens is a residential estate in Poplar, London, designed in the late 1960s by architects Alison and Peter Smithson and completed in 1972. Outside the Pavilion of Applied Arts, three storeys of the original façade, weighing approximately eight tons, were reassembled on a scaffold designed by ARUP, who engineered the original building, with muf architecture/art, who first proposed the V&A's acquisition of the fragment. The V&A is to take possession of a three-storey section of Robin Hood Gardens, saying it as an ‘important piece of Brutalism, worth preserving for future generations’ The section from Alison and Peter Smithson’s lauded 1972 Brutalist landmark is 8.8m high, 5.5m wide and 8m deep. I think it’s a great example of what could have been done to the Robin Hood Gardens estate; it’s a successful renovation and regeneration project and program which focuses on a simple solution. Note: across all of the country, the word estate still holds the same meaning; there are just many celebrated estates in London, because they are in London; this also isn’t to say that there aren’t celebrated or listed estates and buildings outside of London though. The V&A acquired a fragment of Robin Hood Gardens, a notorious housing estate in Poplar, east London, shortly before the bulldozers moved in last year. hello@vam.ac.uk, We use cookies to enhance your experience on V&A websites. Messages like: “Zombie Investors Take Stock”, “Parasites will starve in this carcass of culture”, “Land Grabbing Shocking Shunts” and “Fashion designers, Turner Prizer-winners…and you”. … The video below shows the history of Tottenham estates and how people grew from it: Back to graphic design though, the first project me and Ben produced together on housing was our homage to the Park Hill Flats estate in Sheffield (1961), exploring the form of the massive building complex. Robin Hood Gardens was built with panels of pre-cast concrete and is comprised of two horizontal structures which include a total of 213 apartments. The museum acquired the fragment on the suggestion of Liza Fior, founder of architecture practice muf, when she was completing a residency at the V&A. Hildegard Denk von Robin Hood e.V. London's V&A Museum has acquired a full facade section and apartment of the Robin Hood Gardens, a public housing estate that is being demolished. Responding to the 2018 Architecture Biennale’s theme of FREESPACE, the exhibition Robin Hood Gardens: A Ruin in Reverse presented a 9m-high salvaged section of the façade of Robin Hood Gardens, the Brutalist housing estate by Alison and Peter Smithson. Robin Hood Gardens - alle Infos zum Film: Tickets • Trailer • Filmhandlung • Cast & Crew • Jetzt im Kino! The museum announced it had made one of the most unusual property deals in its history: rescuing an enormous chunk of the Robin Hood Gardens estate, complete with walkway and maisonette interiors. I’ve mentioned it before on many of my VBAT blogs and it’s because it’s something I am passionate about. Campaigners have failed to save the estate made famous for its brutalist architecture. Despite the problems and socially functional drag Robin Hood Gardens, it is a design that is part of the mythology of contemporary architecture, especially for being signed by one of the most influential theorists and designers of the second half of the twentieth century. East London council estate designed by Alison and Peter Smithson is … One of the sections of this project (amongst the topics of the history of estates, the rise and fall of estates and the future of estates) was where we explored a divide which we saw in the UK; the divide in opinion and perception of social (mostly high-rise) housing with our two case studies being our university city of Leeds (the North) and the UK capital city London (the South). Robin Hood Gardens: three-storey architectural fragment of a social housing block of flats comprising the interior features of two maisonettes and two facades (no floors or walls). The specially commissioned installation by artist Do Ho Suh presented a panoramic portrait of the architecture and interiors of the condemned 1972 estate. This structure allowed visitors to stand on an original section of a 'street in the sky' – the elevated access deck designed by the Smithsons to foster interaction between neighbours and promote community. It’s an image of something which I find upsetting. The area and buildings are probably most known for the tragic Bijlmerramp; the El Al Flight 1862 plane crash disaster in 1992 which obliterated parts of now fully demolished Groeneveen and Klein-Kruitberg flats sadly killing 43 people (4 crew, 39 on ground). dankte Margit Vlasak und Helga Gajewski mit Team. Its fate was possibly sealed not long after its construction; built in the 1950s style of Brutalism which was already out of fashion in the 1970s. The subject of 2018's exhibition arose not only from our acquisition of the fragment, but also responded to the theme for the 2018 Biennale of FREESPACE which, in the words of Irish architects and curators Yvonne Farrell and Shelley McNamara, 'encourages reviewing ways of thinking, new ways of seeing the world, of inventing solutions where architecture provides for the wellbeing and dignity of each citizen of this fragile planet'. As a ‘non-departmental public body of the Department for Culture, Media and Sport’, it … East London council estate designed by Alison and Peter Smithson is considered an important example of brutalist architecture. The architects completed Robin Hood Gardens – a pair of crooked concrete slab blocks sandwiching a central garden – in 1972 in Poplar. They intended it to be 'a demonstration of a more enjoyable way of living … a model, an exemplar, of a new mode of urban organisation'. In 2017, demolition began of Robin Hood Gardens, the Brutalist housing estate in Poplar, East London, completed in 1972 by British architects Alison and Peter Smithson. Finden Sie perfekte Stock-Fotos zum Thema Ongoing Demolition Of The Robin Hood Gardens Estate Acquired By The V A Museum sowie redaktionelle Newsbilder von Getty Images. We were compelled to produce this work using the experience and knowledge from our Park Hill Flats project but also following the statement by the then British prime minister, David Cameron, who proposed to bulldoze 100 ‘sink estates’ in the UK. Throughout university studying graphic arts and design I always had an interest in architecture; almost always older buildings with history and in a particular style and rarely the new over-designed glass and shiny stuff. A salvaged fragment of a housing estate that is currently being demolished in East London is to be … We chose this name after a piece of poetic and symbolic graffiti we saw on the wall whilst there. Through archival film and photographs, and interviews recorded by filmmakers Adrian Dorschner and Thomas Beyer, the exhibition also looked at the vision and fate of Robin Hood Gardens – and asked what we can learn from its ruins. The V&A has acquired a three-storey chunk of Robin Hood Gardens, one of Britain’s most notorious council estates, to display as an architectural treasure. Jumping into a heated debate over preservation, public housing and classism, London’s Victoria and Albert Museum (V&A) has acquired a full apartment and … Huge collection, amazing choice, 100+ million high quality, affordable RF and RM images. The ‘streets in the sky’ idea, despite being innovative, never received as much praise as other estates which used the same feature like Park Hill or the Golden Lane Estate, but even still, they were not wide enough to be truly called ‘streets’. Written by Craig BerryFormer Junior Designer at VBAT. Suh was concerned with creating a piece that “complements the physical building,” while Olivia Horsfall Turner, who organized the exhibition with fellow V&A curator Christopher Turner, wanted A Ruin in Reverse to raise questions about what social housing means today. Because of this listing and celebration these flats, especially in the Barbican estate, are worth millions. 13 November 2017 By Ella Braidwood. V&A acquires segment of Robin Hood Gardens council estate. Find high-quality Ongoing Demolition Of The Robin Hood Gardens Estate Acquired By The V A Museum stock photos and editorial news pictures from Getty Images. There … The 8.8-metre-high chunk has been disassembled and removed from its Poplar site, and will be added to the V&A’s permanent collection – although there’s no word yet on when and where it’ll be put on display. In the past year, this phenomenon has been made most explicit with the museumification of Robin Hood Gardens (RHG) by the Victoria & Albert Museum (V&A). An image of a lack of respect for history. Responding to the 2018 Architecture Biennale’s theme of FREESPACE, the exhibition Robin Hood Gardens: A Ruin in Reverse presented a 9m-high salvaged section of the façade of Robin Hood Gardens, the Brutalist housing estate by Alison and Peter Smithson. For me, this interest first grew through the appreciation for the form of these concrete housing blocks, photographing interesting compositions of sharp angles and hard lines. A sign is seen on Robin Hood Gardens building containing flat numbers 105-214 which is still inhabited by residents as demoliton continues on the Robin Hood Gardens estate on January 14, 2018 in... Erstklassige Nachrichtenbilder in hoher Auflösung bei Getty Images Spenden Sie online. Gemeinsam kämpfen wir für eine gerechtere Welt. The case of Robin Hood Gardens is arresting because it embodied such a bold vision for housing provision yet under fifty years after its completion it is being torn down. This article is more than 2 years old. Courtesy The Victoria & Albert Museum. There are also various retail spaces and tube stations around the area meaning it has great transport facilities not only into the city but also outwards, towards London City Airport. Megan Townsend … The estate was built by the Greater London Council, but subsequently the London Bor… The V&A has bought a three-storey section of Robin Hood Gardens before the seminal Smithsons’ project is demolished. The Kleiburg flat is the last building in the Bijlmer area that is still in its original state; it is the “last man standing in the war on modernism” as many of the other housing blocks have been destroyed and replaced with more modern tower blocks. Robin Hood Gardens will in a sense remain alive—just not in a way that anyone could have predicted. To most people it’s a place you avoid at all costs if you can, a place where drugs, crime and trouble is rife, a place where you live on top of your neighbours in a confined box, a place you wouldn’t dream of being around at night time, a place where the lowest of the low live, a place where dreams go to die, etc etc. V&A saves segment of Robin Hood Gardens for display. There is however some consolation for the building as the V&A Museum recently acquired a three-storey section, both the exterior facades and interiors of a maisonette flat. Robin Hood Gardens was made up of two concrete slab blocks, arranged on opposite sides of an expansive garden. Ökostrom­report 2020 Mehr erfahren. It’s an image of the Robin Hood Gardens estate west-wing being torn down by a claw machine; ripping down the original concrete structure to reveal the skyscrapers of Canary Wharf through a newly created hole. Robin Hood Gardens, the housing estate designed by Peter and Allison Smithson in 1972, has been slated for demolition—while many protest that it should be preserved. Wir spielen die Superheld*innen, aber ohne dich sind wir nix! I think the words of George Orwell say this best, in his 1937 novel The Road to Wigan Pier (a novel exploring the social and historical reality of Depression suffering in the north of England): “…in a Corporation estate there is an uncomfortable, almost prison- like atmosphere, and the people who live there are perfectly aware of it”. Critics round on V&A’s acquisition of Robin Hood Gardens section. Places like Gipton and Seacroft. The museum acquired the fragment on the suggestion of Liza Fior, founder of architecture practice muf, when she was completing a residency at the V&A. I could go on and on and this isn’t just an outsider’s perspective, it’s sadly a common perception for tenants of many estates; however there’s often not much they can do about it. It’s difficult for me to say why I have such a strong interest in social housing, estates and the idea of mass-housing; I’ve never lived on an estate and I don’t envision myself ever living on one. In contrast, the Bijlmer area in Amsterdam is in the outskirts of the city with not much in way of development around it – it has the Ajax Johan Cruijff Arena, Ziggo Dome as well as multiple travel links but in my knowledge it isn’t close to any major financial areas like Canary Wharf is to Robin Hood Gardens in London. Whether the planners and investors actually looked, listened and cared however is another story – of course they only have one thing on mind and that is how much money can I make and it isn’t the well-being and livelihood of the people who live there. But the story of the Robin Hood Gardens estate didn’t have to end this way. The typographic banners were hung from balconies in homes in the Golden Lane Estate which were planned to be re-developed meaning these homes and schools would lose much of their natural light and some parts of the estate would be destroyed with no plans for any affordable social housing, only luxury housing. Find out more about the La Biennale di Venezia or Robin Hood Gardens. In 2017, just before demolition of the estate began, the V&A decided to save and preserve a three-storey section of each façade and the interior fittings of two flats. However that may be through photography, music, fashion, dance, architecture, product design, sculpture, art or anything else. The why, when, where and how. There are multiple benefits to this ‘klusflat’ idea, it allows tenants to design their own homes with a sense of individuality, creating the home they want to and not what they have to adapt to as well as being suited to their budget. The Robin Hood Gardens estate was designed in the late 1960’s by Alison and Peter Smithson and completed in 1972 at a cost of £1.8m. But is it deserved? One example I can think of that many people would know, (perhaps not by their surname, more their stage names) is the Adenuga family who grew up in the Meridian Walk council estate in Tottenham, North London: Joseph Junior aka Skepta – a successful and award-winning grime artist and producer, his brother Jamie aka JME – also a successful grime artist and producer and their sister Julie – one of Apple Music’s Beats 1 lead DJ’s and “one of London’s most vital taste makers”. Through archival film and images, the exhibition explored the utopian vision of the Smithsons, and in documentary interviews architects, critics and residents offered their analysis of the estate’s legacy and their ideas on the future of social housing. The V&A is to take possession of a three-storey section of Robin Hood Gardens, saying it as an ‘important piece of Brutalism, worth preserving for future generations’ Comment The section from Alison and Peter Smithson’s lauded 1972 Brutalist landmark is 8.8m high, 5.5m wide and 8m deep. The Big Issue: An eight-tonne section of Robin Hood Gardens is being preserved by the V&A and transported to Venice for the Architecture Biennale. Robin Hood Gardens will in a sense remain alive—just not in a way that anyone could have predicted. The V&A has a long-standing history of collecting large-scale architectural fragments, often salvaged from demolition sites. This article is more than 2 years old. Robin Hood Gardens, Poplar, London, by Alison and Peter Smithson (Building) by Smithson, Alison Margaret, 1970 - 1972. Courtesy of the Artist, Lehmann Maupin, New York Hong Kong and Seoul and Victoria Miro London. The V&A will present Robin Hood Gardens: A Ruin In Reverse, centred around sections of the estate that will be transported to Venice from East London. No need to register, buy now! Now that the 'ruin in reverse' has become a real ruin, what can we learn from its ideals and fate? Read our, Alternatively search over 1,200,000 objects from the, © Victoria and Albert Museum, London, 2021. Robin Hood [ˌrɒbɪn hʊd] ist der zentrale Held mehrerer spätmittelalterlicher bis frühneuzeitlicher englischer Balladenzyklen, die sich im Laufe der Jahrhunderte zu der heutigen Sage formten. Is it a piece of history or is this just my opinion? We compiled our 35mm film (colour and black and white) images into a small publication: All those people, all those lives. The V&A has bought a three-storey section of Robin Hood Gardens before the seminal Smithsons’ project is demolished. The V&A at the 2018 Architecture Biennale. Robin Hood Gardens, Poplar, London, by Alison and Peter Smithson (Building) by Smithson, Alison Margaret, 1970 - 1972. “NO BALL GAMES, BY ORDER OF (insert x location) COUNCIL/ESTABLISHMENT” etc. Today, … Margit Vlasak und Helga Gajewski übergaben das Geld an Robin Hood Vorstandsmitglied Hildegard Denk. I accused V&A of artwashing the social cleansing and gentrification of Robin Hood Gardens then and I repeated this accusation again when the ‘artefact’ was exhibited in Venice last week. A three-storey section of east London’s Robin Hood Gardens housing estate has been saved from demolition by the Victoria & Albert Museum. A three-storey chunk of an east London council estate that is venerated and despised in almost equal measures has been acquired by the V&A. It was little surprise that activists in London and Venice coordinated protests against the exhibition of a chunk of the council estate at a prestigious international event during the opening event. So wird Robin Hood in den ältesten schriftlichen Quellen aus der Mitte des 15. From this development I produced a small publication on the Kleiburg flat named after the development project, DeFlat Kleiburg, comparing it at the time to my Park Hill Flats estate project by exploring the history of the area and the building as well as its development and tenant quotes. The V&A claims to be ‘the world’s leading museum of art and design’. Both during their lifetime and since, there has been much heated debate between architects and planners as to whether or not the building successfully realised these aspirations. It also featured a grassy space in the middle with the two sides of the building angled inwards, hugging this green space and creating a homogeneous space for the inhabitants. It could also be derived more generally from the area in the UK I am from and grew up in where my high school estate sat (since demolished), the Wirral Peninsula (North-West England/Merseyside); for such a small borough (60 square miles/160 km2) it has huge contrasts of deprivation. Despite their negative image, estates are often where many influential people are originally from, where they grew up and developed especially in the creative world of art, music and fashion etc. Although considered a notable example of Brutalist architecture, Robin Hood Gardens was never listed, making it susceptible to demolition. The protest banners contained strong, ironic, comical and provoking and mocking messages, it is a good example of how simple graphic design can be used to convey a message to the public and the planners. Again using my own photographs (this time digital) of the form and compositions of the building but also focusing on the lightness and green space around the building. Museum Number CD.26-2018. “Robin Hood Gardens, Woolmore Street, London E14 0HG” by Do Ho Suh commissioned by the V&A. Some of the features which initially made it so distinctive eventually became part of its downfall; the exterior concrete fins began to crumble due to cheap construction and the surrounding sound barrier wall meant the estate became introverted and detached from its surroundings. An Robin Wood spenden . Back in Venice, information on Robin Hood Gardens’ history and Suh’s film mitigate some classist voyeurism. Robin Hood Gardens is a lesson for future cities At the Venice Biennale, the V&A is exhibiting a fragment of the social housing complex completed in 1972 and designed by Alison and Peter Smithson, which is now being demolished. 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